Genius director Huan Xu transmigrates to an interstellar era, becoming a fallen noble facing family ruin, impending bankruptcy, and massive debts. To save his crumbling company, Huan Xu decides to return to his old craft.

Eight hundred years ago, Blue Star was destroyed, and humanity migrated to the “Nine Heavens,” where they rebuilt their home. As society developed, the entertainment industry flourished to an unprecedented degree, with pleasure reigning supreme. However, Huan Xu discovers that in this fast-paced interstellar world, Blue Star’s culture has been largely forgotten. The current film industry, driven by directors and audiences obsessed with money and special effects, produces movies with utterly weak plots.

On Cangtian Star, a short film titled “Untitled” goes viral, launching Huan Xu’s journey to dominate the film industry. Starting with Li Shangyin’s love trilogy—’Jin Se’ and ‘Chi Ling’—Huan Xu releases a series of period films tailored to the tastes of Cangtian Star’s people, reviving Blue Star culture while skyrocketing to fame and elevating countless actors to stardom.

As interstellar planets unite, each claims their own directors as divine. But Huan Xu proves with action that, aside from giving birth, there’s nothing he can’t do!

For fans of eerie aesthetics, “Red and White Joy” hits hard—when the suona plays, it’s as if “parents raised you for nothing.”

For those craving adventure and conquest, “Great Qin” showcases the Qin Emperor sweeping the six states, his ambition towering.

For lovers of artistic and fresh stories, “Guide Dog” becomes the year’s heartwarming “healing” masterpiece.

For suspense and plot twists, “The Perfumer” explores the depths of human nature through a haze of misty fragrances.

As Huan Xu’s films explode in popularity, Blue Star culture begins to revive across the stars. Entertainment forms once beloved on Blue Star—drama, martial arts, ancient-style pedestrian streets, haunted houses, escape rooms—reemerge in the interstellar world. Trembling in line at a haunted house, clutching roast duck and braised pork elbow, a tearful fan begs, “Director Huan, please release more films!”

Some claim Huan Xu’s stellar plots come at the expense of neglecting the most popular special-effects-driven films. But soon, “The Primordial World” debuts, depicting the birth of the universe, the chaos of primordial gods battling, Pangu splitting heaven and earth, and the catastrophic Dragon-Phoenix Tribulation. Each short film and episode, filled with struggles against heaven, gods, and humanity, immerses interstellar audiences in a baptism of history and culture.

Netizen 1: “Who said Director Huan can’t do special effects? Come out and face death!”

Netizen 2: “Huan Xu said, ‘Let there be light,’ and there was light.”

Netizen 3: “Director Huan, forever our god!”

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